Iranians and their cinema: A love affair
The recent victory for Best Foreign Language Film of Asghar Farhadi’s latest is a triumph for Iranians everywhere.
But the custodians of the beleaguered Islamic Republic were askance – the conspiratorially minded among them considered the award a plot. They consider everything a plot – as do the retrograde segments of “the opposition” they have generated and dispatched around the world to keep themselves in power.
Those in power in the Islamic Republic thought this was an award to bring them down from power; those wishing the US and Israel will bring them back to Iran to power thought this was an award to keep them from overthrowing those in power. The pathology confounded itself – and thus the award became an instant measure of truth, separating those afflicted by politics and those liberated by art.